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Zanima me vase misljenje, sta je za vas rediteljski stil ?
Kako se on definise,kako ga dozivljavate/opazate/prepoznate,koji reditelji imaju najizrazeniji stil/najprepoznatljiviji te koji filmadzija ima najinteresantniji pristup filmu?

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Liberate Tutamet Ex Inferis
http://www.youtube.com/watch?v=HQjsYL3-pDU

'In film criticism, the 1950s-era auteur theory holds that a director's films reflect that director's personal creative vision, as if he were the primary "auteur" (the French word for "author"). In spite of—and sometimes even because of—the films in question being made as part of an industrial process, the author's creative voice is distinctive enough to shine through all kinds of studio interference. In some cases, film producers are considered to have a similar "auteur" role for films that they have produced.'

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I'm getting weaker, I'm getting thin
I hate how obvious I have been

Directors have different methods of filming. Some styles include:
-Outline a general plotline and let the actors improvise dialogue. Notable examples include Christopher Guest, Wong Kar-Wai, Spike Lee, Jim Wong, Wim Wenders, Mike Leigh, Jean-Luc Godard, Miklós Jancsó, Gus Van Sant, Judd Apatow, David Cronenberg, Ben Affleck and occasionally Robert Altman, Werner Herzog, Sergio Leone and Federico Fellini.
-Control every aspect, and demand that the actors and crew follow instructions precisely. Notable examples include Akira Kurosawa, Steven Spielberg, James Cameron, George Lucas, Francis Ford Coppola, Stanley Kubrick, Christopher Nolan, David Fincher, Guillermo del Toro, Tyler Perry and Alfred Hitchcock.
-Write their own scripts. Notable examples include Woody Allen, Werner Herzog, John Cassavetes, Ingmar Bergman, Stanley Kubrick, James Cameron, Albert Magnoli, George Lucas, J. F. Lawton, David Cronenberg, Charles Chaplin, Billy Wilder, Ed Wood, David Lynch, the Coen Brothers, Pedro Almodóvar, Nick Park, Kevin Smith, Quentin Tarantino, Todd Field, Oren Peli, Eli Roth, Paul Thomas Anderson, Guillermo del Toro, Rainer Werner Fassbinder, Oliver Stone, Terrence Malick, John Singleton, Spike Lee, Orson Welles, Akira Kurosawa, Hayao Miyazaki, M. Night Shyamalan, Paul Haggis, Billy Bob Thornton, James Wong, Tyler Perry, Robert Rodriguez, Christopher Nolan, Sergio Leone and Satyajit Ray.
-Collaborate on screenplays with long-standing writing partners. Notable examples include Terry Gilliam and Charles McKeown/Tony Grisoni, Wes Anderson and Owen Wilson/Noah Baumbach, Edgar Wright and Simon Pegg, Martin Scorsese and Nicholas Pileggi/Paul Schrader/Jay Cocks, Yasujiro Ozu and Kôgo Noda, Sir Peter Jackson and Fran Walsh, or Robert Zemeckis and Bob Gale, Luis Buñuel and Jean-Claude Carrière/Luis Alcoriza, Krzysztof Kieslowski/Krzysztof Piesiewicz, Frank Capra/Robert Riskin, Michelangelo Antonioni/Tonino Guerra, and Christopher Nolan/Jonathan Nolan.
-Be the cinematographer and/or editor. Notable examples include Nicolas Roeg, Akira Kurosawa, Stanley Kubrick, Steven Soderbergh, Josef von Sternberg, David Lean, Albert Magnoli, Don Coscarelli, Robert Rodriguez, James Cameron, Ed Wood, Gaspar Noe, Raja Gosnell, Takeshi Kitano, Andy Warhol, Shinya Tsukamoto, Kenneth Anger, the Coen Brothers.
-Appear in their films. Notable examples include Orson Welles, Mel Gibson, Martin Scorsese, Sir Peter Jackson, John Waters, John Carpenter, Spike Lee, Tyler Perry, Rainer Werner Fassbinder, Kevin Costner, Kenneth Anger, Clint Eastwood, Woody Allen, Jon Favreau, Quentin Tarantino, Eli Roth, Mel Brooks, Ben Stiller, Charlie Chaplin, Sam Raimi, Roman Polanski, Billy Bob Thornton, Sylvester Stallone, M. Night Shyamalan, Will Hay, Harold Ramis, Robert de Niro, John Woo, Kevin Smith and Ed Wood, Kenneth Branagh; Alfred Hitchcock made memorable cameo appearances in his films.
-Compose a music score for their films. Notable examples include Charlie Chaplin, Stanley Kubrick, Clint Eastwood, John Carpenter, Alejandro Amenábar, Satyajit Ray and Robert Rodriguez.
-Produce their own films. Notable examples include Robert Rodriguez, Quentin Tarantino, Ed Wood, Tim Burton, Eli Roth and Steven Spielberg.

zanima me vase misljenje?

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Liberate Tutamet Ex Inferis
http://www.youtube.com/watch?v=HQjsYL3-pDU

Coppola je kreten koji nema prepoznatljiv stil, bez obzira sto neko imao reci na to. Sad mi se ne da vise razglabati, vruce je.

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Loveless

A zašto te to zanima?

Koji filmadzija ima najinteresantniji pristup filmu?

Za mene ova trojica: Jarmusch, Tarantino i Almodóvar.
Jel potrebno isticati zašto?

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Najbolje se slaže s lososom i leptirom.
Klik

Jarmusch, Burton, Hitchcock, Keaton...

Tarkovsky
Jodorowsky
Bergman
Kurosawa
Cronenberg
Lynch
I vecina rezisera spomenutih na temi Kinematografija Azije

pa to i jeste ovo sto sam kopira, AUTORA cini onaj prepoznatljiv stil nakon koga i kada ne znas ko je to radio mozes da prepoznas!
u tome jeste i velicina filma tipa '400 Blows', 'Breathless' i sl ne zato sto oni otkrivaju toplu vodu sto se tice fabule nego do tada takav nacin snimanja jednostavno ljudi nisu mogli da vide i to je jedan od razloga zasto ljudi danas ne vide velicinu tih filmova jer su navikli na takav stil i uzimaju ga zdravo za gotovo!

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I'm getting weaker, I'm getting thin
I hate how obvious I have been

Hmm najprepoznatljiviji stil po meni imaju Jodorowsky, Lynch i braca Coen.
Jednostavno kada vidis film odmah znas da je njihov.
Naravno tu bi mogao i Burton, Tarantino i Inarritu.

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A little less conversation, a little more action!

Sve se pripisuje reziseru ,a ne bi bas trebalo na nekom filmu radi toliko ljudi i na kraju reziser uglavnom pobere sve.Bila je jednom emisija na tv-u o tome koliko su zasluzni kamermani ,scenaristi,producenti.kostimografi,scenografi itd na snimanju filma,kako su mnogi clanovi ekipe i uticali na same rezisere u njihovom izrazaju i i stvaranju svoga stila u buducnosti,kako neka remek djela sedme umjetnosti ne bi bila ni priblizna tome bez nekog inovativnog,nadarenog clana ekipe,a opet vecina tih ljudi su anonimci cija su se imena pojavila 2-3 sekunde na tv-u.

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-Liam, someone on the phone for you... -Oh fucks sake... Tryin to write this fucking tune, man.

to je neko kod nasto dobro napisao, kolektivan je samo posao (naravno sa ovim ne umanjujem ulogu bilo koga) ali na kraju jedan covjek stoji iza filma!
to su nekada bili producenti kada su i reziseri bili obicnee zanatlije (mislim, to se i dan danas vidi u nekim americkim filmovima)

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I'm getting weaker, I'm getting thin
I hate how obvious I have been

Leone

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Cause I'm tired of this scenes...